Free Bert — Season 1
Comedy wardrobe for Bert Kreischer's Netflix series, filmed in Atlanta — big personality, zero costume getting in the joke's way.
Costume Designer 💜 Film & Television
Characters begin in the wardrobe.
Over two decades designing costumes for film and television — horror, comedy, drama, and supernatural series. From The Exorcist: Believer and Free Bert to Wolf Pack and 3 From Hell, every world gets its own wardrobe, built for actors to live in.
Selected Work
Horror, comedy, drama, and supernatural television — the same hand, a different world every time. Use the filters to browse by format.
Comedy wardrobe for Bert Kreischer's Netflix series, filmed in Atlanta — big personality, zero costume getting in the joke's way.
Co-costume designer on the return of a horror landmark — ordinary clothes made to carry extraordinary dread.
A new pack, a new fire. Contemporary teen wardrobe built for a supernatural thriller — grounded, wearable, and ready to run.
Rob Zombie's Firefly family, back in worn denim, vintage tees, and road-dust grit — horror with a 1970s soul.
Six seasons and 100 episodes designing Beacon Hills — everyday clothes built to survive werewolves, banshees, and high school.
Returning to Beacon Hills years later — the pack grown up, the stakes higher, the wardrobe evolved with them.
Broad comedy for MTV that still has to look sharp on every character, every scene.
Comedy sequel for Universal — bold, playful wardrobe built for larger-than-life characters.
Family comedy for Universal — warm, bright, and built to be rewatched.
Stand-up comedy with Jay Pharoah chasing viral fame and Katt Williams in his ear — stage looks and street looks, kept real.
Every card shows that production's own poster or key art, which belongs to its studio or network. The atelier artwork elsewhere on this page is illustration.
About
Some people find their calling right away, for me, it happened the moment I stepped onto my first film set. I started in film and television in 1999 on my first movie, October Sky, from that moment, I knew I was exactly where I was meant to be. I started out as a special effects PA, eventually moving up to special effects technician. I spent a few years in that world before realizing my real passion was costume design, a job that let me bring characters to life in a whole new way. I stayed in that lane for over two decades, loving every chaotic, creative minute of it!
Filmography
Designer credits first, then the key costumer years that built the eye — working under designers including Mona May, Keith Lewis, and Hope Hanafin.
Stylist work includes Essence and Ebony magazine shoots. Commercial credits and references available on request. Full filmography on IMDb.
How I Work
Every look starts with who the person is, not what is trending. Fabric, fit, and wear all tell the story before a line is spoken.
A special-effects beginning means multiples, breakdown, and stunt-ready builds are planned from the first fitting — not patched in later.
Long-running series work taught one lesson: the audience notices everything. The wardrobe bible keeps every thread honest, episode after episode, season after season.
Representation & Booking
For costume design bookings, consultations, and press, reach out directly. Résumé and full credit list available on request.